Oil On Canvas, Real Flavor of Old Masters

All Tilly Kettle 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
74294  
Brownlow North (1741-1820), future bishop of Winchester, Tilly Kettle
 
 Brownlow North (1741-1820), future bishop of Winchester   1762-1763 Oil on canvas 76 X 63 cm (29.92 X 24.8 in) cjr
96260  
Dancing Girl or An Indian Dancing Girl with a Hookah, Tilly Kettle
 
 Dancing Girl or An Indian Dancing Girl with a Hookah   1772(1772) Medium Oil on Canvas Dimensions 76 x 47 inches cyf
75741  
future bishop of Winchester, Tilly Kettle
 
 future bishop of Winchester   Date 1762-1763 Medium Oil on canvas Dimensions 76 ?? 63 cm (29.9 ?? 24.8 in) cyf
74727  
Portrait of Mrs Yates as Mandane in The Orphan of China, Tilly Kettle
 
 Portrait of Mrs Yates as Mandane in The Orphan of China   ca. 1765(1765) Oil on canvas cjr
76248  
The Orphan of China, Tilly Kettle
 
 The Orphan of China   Title English: Portrait of Mrs Yates as Mandane in `The Orphan of China Date ca. 1765 cyf
79234  
The Orphan of China, Tilly Kettle
 
 The Orphan of China   ca. 1765(1765) Medium Oil on canvas cyf

Tilly Kettle
(1735-1786) was a portrait painter and the first English painter to work in India. He was born in London, the son of a coach painter, in a family that had been members of the Brewers' Company of freemen for five generations. He studied drawing with William Shipley in the Strand and first entered professional portraiture in the 1750s. Kettle's first series of portraits appeared in the 1760s. His first surviving painting is a self-portrait from 1760, with his first exhibit at the Society of Artists in 1761. In 1762, he worked at restoring Robert Streater's ceiling fresco in the Sheldonian Theatre, Oxford, and painted Francis Yarborough, a doctor of Brasenose College, Oxford in 1763. He painted many members of the family of William Legge, 2nd Earl of Dartmouth. In 1764-5, he was active in London and continued exhibiting at the Society of Artists. In 1768, Kettle sailed to India with the British East India Company, landing at Madras (now Chennai), where he remained for two years. There, he painted Lord Pigot and Muhammad Ali Kahn twice (once alone and once with five of his sons). He also painted non-portraits, including Dancing Girls (Blacks) in 1772 and a suttee scene in 1776 entitled, The ceremony of a gentoo woman taking leave of her relations and distributing her jewels prior to ascending the funeral pyre of her deceased husband. In 1770 Kettle painted a half-length portrait of 'Sir' Levett Hanson, a peripatetic writer on European knighthood and chivalry originally from Yorkshire. (The portrait is now in the collection of the Bury St Edmunds Manor House Museum.) Kettle moved on to Calcutta (now Kolkata) in 1771 and painted Shuja ud-Daula and Dancing-Girl Holding the Stem of a Hookah. In 1775,he painted George Bogle, Warren Hastings' emissary to Tibet, in Tibetan dress, presenting a ceremonial white scarf to Lobsang Yeshe the 5th Panchen Lama.He also took an Indian mistress and had two daughters by her.



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